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"Take courage, my brother," said the bear. "Keep up a strong heart, for I will help you, and you shall have life.",

No sooner thought than done! Laying his gun carefully upon the ground, he looks around him to see by what means he shall gain possession of this lucky fern which is growing, deeply rooted in its native soil, far above him.,

When they got there, he killed a fat cow and helped the old women to cut it up, and they took it to the lodge. One of those old women said, "Ah me, the bears will be sure to come.",

Later on, when they open the paper that had been given by the dead man into the keeping of Dr. Bland, and which proves to be his will, duly signed and witnessed by the gamekeeper and his son, they find he has left to Mona all of which he died possessed. It amounts to about two thousand a year; of which one thousand is to come to her at once, the other on the death of his mother.

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As they were standing there looking at the water as it flowed by, the woman asked Old Man, saying, "How is it; shall we live always? Will there be no end to us?",

As Mona gazes at him half fearfully, he raises himself suddenly on his elbow, and says, in a tone far stronger than he has yet used,—,

It is the first time since their marriage that she and Geoffrey have been parted, and it seems to her a hard thing that such partings should be. A sense of desolation creeps over her,—a sense of loneliness she has never known before.,

As for the Australian, he has grown pale indeed, but is quite self-possessed, and the usual insolent line round his mouth has deepened. The dogs have by no means relaxed their vigil, but still crouch before him, ready for their deadly spring at any moment. It is a picture, almost a lifeless one, so motionless are all those that help to form it. The fading fire, the brilliant lamp, the open window with the sullen night beyond, Paul Rodney standing upon the hearthrug with folded arms, his dark insolent face lighted up with the excitement of what is yet to come, gazing defiantly at his cousin, who is staring back at him, pale but determined. And then Mona, in her soft white gown, somewhat in the foreground, with one arm (from which the loose sleeve of the dressing-gown has fallen back, leaving the fair rounded flesh to be seen) thrown around her husband's neck, is watching Rodney with an expression on her face that is half haughtiness, half nervous dread. Her hair has loosened, and is rippling over her shoulders, and down far below her waist; with her disengaged hand she is holding it back from her ear, hardly knowing how picturesque and striking is her attitude, and how it betrays each perfect curve of her lovely figure.